Last weekend I joined the newly formed collective, The People’s Microphony Camerata
, founded by Elana Mann
and Juliana Snapper
. I signed up because of they said we would perform scores inspired by the People’s Mic and the Occupy Movement, which has fascinated me since I first experienced it during the Brooklyn Bridge arrests. However, I was a bit hesitant when I realized they considered it to be a Choir
. To the dismay of my Grandma, Edith, who sang at the Stage Door Canteen
in NYC, I don’t sing (at least not in public).
But… I stuck with my commitment and half way through our second day of rehearsing and workshopping scores I realized I was enjoying myself and the sound of our collective voices. I was singing.
You can hear the results of our first recording session as it will be played on Sunday as part of Radio Break
, “an exhibition on the air, presenting twelve artworks in locations throughout Los Angeles conveyed through low-power radio transmissions during two weeks and live events held on two consecutive weekends,” curated by students in the USC MA Art and Curatorial Practices in the Public Sphere
Radio Break started last weekend, so you may have missed some of it, but here’s this weekend’s schedule:
SUNDAY, APRIL 22nd
All events at 6020 WILSHIRE (The new ForYourArt space), 6020 Wilshire Boulevard, Los Angeles
Richard T. Walker intervenes into Los Angeles’s visual and radiophonic space, telling the absurdist tale of one man’s quest to find the words to speak when language no longer suffices in between distance and a mountain.
Tune into the concerns of Angelenos affected by the financial crisis by listening to the carols of the People’s Microphony Camerata (Cynthia Aaron, Karen Atkinson, Vivian Bang, Andrew Choate, Judith Dancoff, Rachel Finkelstein, Penny Folger, Sascha Goldhor, Michele Jaquis, Allison Johnson, Elana Mann, Kimberly N, Alanna Simone, Juliana Snapper, Julie Tolentino, Annette Weisser and Becca Wilson).
LIVE PERFORMANCE and RECEPTION
David Schafer‘s Cage Mix: Static Age reconceives a selection of John Cage’s compositions through live electronic and processed improvisation performed alongside an accompanying installation. A reception will follow Schafer’s performance.
A listening station with all projects will be at 6020 Wilshire through April 27th.