Michele and I have been working on set and media design for Caleb Hammond’s experimental theater project Walks Through Walls over the past months, and production is ramping up for the upcoming show:
Walks Through Walls
Highways Performance Space
at 18th Street Arts Center
1651 18th Street
Santa Monica, CA 90404
8:30 pm, June 4th and 5th
for tickets, call 310-315-1459
or purchase online at
tickets are $20/$15
Walks Through Walls is written and directed by Caleb Hammond
it features performances by Susan Josephs, Amber Skalski, Tim Ottman, Ceasar F. Barajas and Samantha Gregg
Set, video and sound design by Rise Industries (Jeremy J. Quinn and Michele Jaquis)
Costume Design by Ben Rosenberg
Lighting Design by Christopher Stokes
Director’s Assistants: Nathalie Sanchez, Andrea Dominguez
Production Assistants: Hanna Kovenock, Jonathan Stofenmacher, Alex Becerra
Walks Through Walls is a transcendent installation/performance piece investigating the human condition as an expressionistic landscape of continually disappearing experiences of agony and ecstasy.
It is a portrait in motion of the ephemerality of memory and desire created by boldly physical actors enmeshed in a canvas of beautiful theatrical imagery and sound.
Performers careen and slide through space, accompanied by a mesmerizing mantra-like fugue of poetic text that is spoken, projected, and heard echoing in the sound design.
Walks Through Walls is part sound and video installation piece, part performance art, part poetry made flesh.
We have developed a minimal set to shape the space and provide depth for movements, which will also provide surfaces for the video projections.
Onto these structures, we will be layering four channels of video and a soundscape that intertwines with the performers’ actions and dialogue.
The central text, a long, multi-voice poem of fragmented narratives, beauty and chaos, is presented throughout the work as projected text, spoken dialogue, audio and video interpretations, and recorded monologues in both video or on the soundtrack.
The result is that the text shifts through the piece, echoing in the many media presented to the audience, fractured and recombined over and over again for the duration of the performance.
Here are some images from the early rehearsals and production:
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